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Meaning made by cutting: the principle, developed by the Soviet filmmakers of the 1920s from Kuleshov's experiments and theorized above all by Eisenstein, that two shots in collision produce an idea neither contains alone. In everyday film language the word also names the compressed sequence that covers time in a burst of images.
Facts
Concept Domain Formulated YearEisenstein's Montage of Attractions essay appeared in 1923; the Kuleshov effect experiments date from around 1918 to 1921. Cross-Tradition Connections
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